Paulo Coelho, Pages 19-22
Since I only took sleeping pills, I'm not disfigured in any way: I'm still young, pretty, intelligent, I won't have any difficulty in getting boyfriends, I never did. I'll make love with them in their houses, or in the woods, I'll feel a certain degree of pleasure, but the moment I reach orgasm, the feeling of emptiness will return. We won't have much to talk about, and both he and I will know it. The time will come to make our excuses - 'It's late', or 'I have to get up early tomorrow' - and we'll part as quickly as possible, avoiding looking each other in the eye.
I'll go back to my rented room in the convent. I'll try and read a book, turn on the TV to see the same old programmes, set the alarm clock to wake up at exactly the same time I woke up the day before and mechanically repeat my tasks at the library. I'll eat a sandwich in the park opposite the theatre, sitting on the same bench, along with other people who also choose the same benches on which to sit and have their lunch, people who all have the same vacant look, but pretend to be pondering extremely important matters.
Then I'll go back to work, I'll listen to the gossip about who's going out with whom, who's suffering from what, how such and such a person was in tears about her husband, and I'll be left with the feeling that I'm priviliged: I'm pretty, I have a job, I can have any boyfriend I choose. So I'll go back to the bars at the end of the day, and the whole thing will start again.
My mother, who must be out of her mind with worry over my suicide attempt, will recover from the shock and will keep asking me what I'm going to do with my life, why I'm not the same as everyone else, things really aren't all that complicated as I think they are. 'Look at me, for example, I've been married to your father for years, and I've tried to give you the best possible upbringing and set you the best possible example'.
One day, I'll get tired of hearing her constantly repeating the same things, and to please her I'll marry a man whom I oblige myself to love. He and I will end up finding a way of dreaming of a future together: a house in the country, children, our children's future. We'll make love often in the first year, less in the second, and after the third year, people perhaps think about sex only once a month. Even worse, we'll barely talk. I'll force myself to accept the situation, and I'll wonder what's wrong with me, because he no longer takes any interest in me, ignores me, and does nothing but talk about his friends, as they were his real world.
When the marriage is just about to fall apart, I'll get pregnant. We'll have a child, feel closer to each other for a while, and then the situation will go back to what it was before.
I'll begin to put on weight like the aunt that nurse was talking about yesterday - or was it days ago, I don't really know. And I'll start to go on diets, systematically defeated each day, each week, by the weight that keeps creeping up regardless of the controls I put on it. At that point, I'll take those magic pills that stop you from being depressed, Then I'll have a few more children, conceived during nights of love that pass all too quickly. I'll tell everyone that the children are my reason for leaving, When in reality my life is their reason for living.
People will always consider us a happy couple, and no one will know how much solitude, bitterness and resignation lies beneath the surface happiness.
Until one day, when my husband takes a lover for the first time, and I will perhaps kick up a fuss like the nurse's aunt, or think again of killing myself. By then, though, I'll be too old and cowardly, with two or three children who need my help, and I'll have to bring them up and help them find a place in the world before I can just abandon everything. I won't commit suicide: I'll make a scene, I'll threaten to leave and take the children with me. Like all men, my husband will back down, he'll tell me he loves me and that it won't happen again. It won't even occur to him that, if I really did decide to leave, my only option would be to go back to my parents' house and stay there for the rest of my life, forced to listen to my mother going on and on about how I lost my one opportunity for being happy, that he was a wonderful husband despite his peccadillos, that my children will be traumatised by the separation.
Two or three years later, another woman will apear n his life. I'll find out - because I saw them, or because someone told me - but this time I'll pretend I don't know. I used up all my energy fighting against that other lover, I've no energy left, it's best to accept life as it really is, and not as I imagined it to be. My mother was right.
He will continue being a considerate husband, I will continue working at the library, eating my sandwiches in the square opposite the theatre, reading books I never quite manage to finish, watching television programmes that are the same as they were ten, twenty, fifty years ago.
Except that I'll eat my sandwiches with a sense of guilt, because I'm getting fatter; and I won't go to bars anymore, because I have a husband expecting me to come home and look after the children.
After that, it's a matter of waiting for the children to grow up and of spending all day thinking about suicide, without the courage to do anything about it. One fine day, I'll reach the conclusion that that's what life is like, there's no point worrying about it, nothing will change. And i'll accept it.
Veronika brought her interior monologue to a close and made a promise to herself: She would not leave Villete alive. It was best to put an end to everything now, while she was still brave and healthy enough to die.
She fell asleep and woke up several times, noticing that the number of machines around her was diminishing, the warmth of her body was growing, and the nurses' faces kept changing; but there was always someone beside her. Through the green cutain she heard the sound of someone crying, groans or voices whispering in calm, technical tones. From time to time, a distant machine would buzz and she would hear hurried footsteps along the corridor. Then the voices would lose their calm, technical tone and become tense, issuing rapid orders.
In one of her lucid moments, a nurse asked her:
' Dont you want to know how you are?'
'I already know,' replied Veronica. 'And it's nothing to do with what you can see happening in my body, it's what's happening in my soul.'
The nurse tried to continue the conversation, but Veronika pretended to be asleep.
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